Maurizio Cattelan: Amen

This review appeared on Maurizio Cattelan, Untitled, 2007. Maurizio Cattelan’s 2011 retrospective at the Guggenheim, emphatically titled “All,” was meant to be his last show. But with “Amen” at the Center for Contemporary Art, Ujazdowski Castle in Warsaw, he appears to have risen from his ashes. Although none of the pieces on view had been made specifically for this show (all were featured in the Guggenheim retrospective), the particular context into which they have been inserted—that of a still predominantly Catholic Poland struggling to come to terms with the traumas of the past century—gives these familiar works a new … Continue reading Maurizio Cattelan: Amen