The evocative, if not entirely obvious, title of this group show points to the ‘unstable forms produced by artificial intelligence’, in the words of Fondazione MAXXI’s president, Giovanna Melandri. The notion of ‘low form’ is somewhat at odds with the highly sophisticated nature of some of the digital tools and algorithmic processes used to generate the works on view by the 16 international artists included in the show. Mostly born in the 1980s, or failing that the 1970s, they belong to the Millennial Generation and are – just about – ‘digital natives’. Continue reading ‘Low Form’ at MAXXI