‘Low Form’ at MAXXI

The evocative, if not entirely obvious, title of this group show points to the ‘unstable forms produced by artificial intelligence’, in the words of Fondazione MAXXI’s president, Giovanna Melandri. The notion of ‘low form’ is somewhat at odds with the highly sophisticated nature of some of the digital tools and algorithmic processes used to generate the works on view by the 16 international artists included in the show. Mostly born in the 1980s, or failing that the 1970s, they belong to the Millennial Generation and are – just about – ‘digital natives’. Continue reading ‘Low Form’ at MAXXI

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Collecting the uncollectable

A version of this essay appeared in the current issue of Frieze Week magazine: ‘Ownership is the most intimate relationship that one can have to objects. Not that they come alive in [the collector]; it is he who lives in them’, wrote Walter Benjamin in his 1931 essay titled ‘Unpacking My Library – A Talk on Collecting’. Speaking at an event dedicated to ‘collecting performance’ hosted by the London non-profit Delfina Foundation, Marseille-based psychiatrists and collectors Marc and Josée Gensollen related Benjamin’s claim concerning books to their own experience of collecting live art. For them, ‘the most intimate relationship to … Continue reading Collecting the uncollectable