Best of 2014

This round-up of my three favourite show in a French context appeared on artforum.com: Latifa Echakhch, L’air du temps, 2013, chinese ink, wooden cloud scenery, canvas, acrylic paint, and steel wire, dimensions variable. Installation view, Centre Pompidou, Paris, 2014. ALEXANDRA BACHZETSIS’S RIVETING NEW PERFORMANCE and installation piece, From A to B via C, comes in three versions, respectively destined for theatrical, museum, and online viewing. I caught the premiere of the first iteration staged as part of the Biennial of Moving Images at the Centre d’Art Contemporain in Geneva (September 18 to 19, 2014). Three dancers—including Bachzetsis herself—mirrored each other … Continue reading Best of 2014

Open House

This piece on the birth of ‘performance architecture’ appeared in frieze: Gordon Matta-Clark, Conical Intersect, 27–29 rue Beaubourg, Paris Biennale, 1975. Courtesy: David Zwirner, New York, and MACBA, Barcelona © Estate of Gordon Matta-Clark / DACS The annals of every discipline are full of unsuspecting twins somehow hitting upon an idea concurrently and yet independently. One such concept is ‘performance architecture’ – a phrase that started being used at roughly the same time by two different people, both of them practising architects who happened to have a foot in the art world and a particular interest in performance art. Back … Continue reading Open House