Roberto Cuoghi: Perla Pollina

The accidental title of Roberto Cuoghi’s midcareer retrospective, which the press release attributes to “the erroneous effects of an auto-correct program,” invites various possible readings. A reclusive and enigmatic figure who has been known to shun the art establishment, the Italian artist cultivates a hermit-like persona. The titular “pollina,” suggestive of chicken manure, put this critic in mind of Aesop’s fable about a rooster who finds a jewel in a dung heap only to cast it aside, since in his eyes the gem is no substitute for plain corn. Continue reading Roberto Cuoghi: Perla Pollina

Private Eyes

This report from the 4th artgeneve appeared on artforum.com: Left: Dealer Massimo Minini and Andrea Bellini, director of the Centre d’Art Contemporain Geneve. Right: One of the spinners in Ahmet Ogut’s Fair Wage. (All photos: Agnieszka Gratza) CONVENIENTLY LOCATED FOR THE CITY AIRPORT, if not much else, artgenève is a ten-minute walk from the arrival gate. Though styled as a salon d’art, there is nothing salon-like about the vast complex known as Palexpo—short for Palais des Expositions et des Congrès—that has housed the fair since its inception. Now in its fourth edition, artgenève prides itself on being more intimate and … Continue reading Private Eyes