In her essay for the catalogue accompanying Paradise Lost, the inaugural Roma pavilion which she curated at the 52nd Venice Biennale in 2007, Tímea Junghaus wrote: “Of course, in an ideal world, Roma artists would be able to exhibit in any of the European pavilions, but it is a fact that no artist of Roma origin has been presented at the Venice Biennale throughout its 112-years.” Continue reading Małgorzata Mirga-Tas