Spread over eight rooms in the Baroque former summer residence of Prince Eugene of Savoy (1663–1736), Donna Huanca’s current exhibition has an opulence all its own. Bright and dim spaces alternate throughout the Lower Belvedere, evoking an initiatic journey into a brave new world. Continue reading Donna Huanca
Cuban artist Tania Bruguera’s exhibition “10,142,926” takes over Tate Modern’s Turbine Hall this fall with a series of works and interventions, including a heat-sensitive floor that uses the warmth of visitors’ bodies to reveal the portrait of a young man. In an adjacent gallery, a substance that induces tears is diffused in the air. Agnieszka Gratza spoke to the Cuban artist on the occasion of the exhibition.
Continue reading Tania Bruguera: Where Art Can Work
The evocative, if not entirely obvious, title of this group show points to the ‘unstable forms produced by artificial intelligence’, in the words of Fondazione MAXXI’s president, Giovanna Melandri. The notion of ‘low form’ is somewhat at odds with the highly sophisticated nature of some of the digital tools and algorithmic processes used to generate the works on view by the 16 international artists included in the show. Mostly born in the 1980s, or failing that the 1970s, they belong to the Millennial Generation and are – just about – ‘digital natives’. Continue reading ‘Low Form’ at MAXXI